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50 FIRST DATES
by Rachel Deahl
Review Film Critic

Click for the Official Site


Even if both "Memento" and "Groundhog Day" hadn't mined the memory loss/time loop genre for most of its dramatic and comedic potential, Adam Sandler's new riff on the subject, "50 First Dates," would still be an affair best forgotten. That Sandler tries to stretch a full-length feature out of a script that contains enough laughs to sustain a 3-minute trailer - with an old premise - is all the more bothersome. Were the execs who greenlit this feature suffering from their own form of amnesia?

For those who can remember, "50 First Dates" sees Sandler reunited with his "Wedding Singer" costar, Drew Barrymore. This time around Barrymore plays Lucy, a damsel in distress plagued by an even greater evil than an asshole boyfriend from the '80s. After surviving a dangerous car accident, Barrymore's kind Hawaii local loses her short term memory - every day transports her back to the day of her accident with no recollection of anything that followed. This unfortunate fact becomes the cruelest joke for Henry Roth (Sandler), a womanizing veterinarian who lives on the island and falls hard for Lucy.
A former commitment-phobe that made sure not to get involved with women who would be around for more than a few days, Henry made it a habit to only sleep with tourists. When he meets Lucy, he decides to devote his life to making her remember who he is.
Unlike "Groundhog Day," in which Bill Murray's fate to relive the same day over and over again forces his character to evolve through a series of hilarious episodes, "50 First Dates" is yet another template for Sandler to inject his hit and miss humor into a simple scenario.

Drew Barrymore and Adam Sandler in Columbia's 50 First Dates - 2004

Rated: PG-13
Photo © Copyright Columbia Pictures


Unfortunately the minor characters - who include the overweight Hawaiian short order cook nicknamed "Tattoo Face," the foulmouthed local sidekick (played by Rob Schneider), the sexually ambiguous co-worker and Lucy's beefcake wannabe brother (Sean Astin)  - are more odd than funny.
Much of the comic punch is finally left to Rob Schneider's quirky local making repeated comments about his balls and Sandler snickering at his dikey German veterinary assistant. 

Even the romance itself misses. While the premise of a guy wooing a girl every day of their lives is momentarily sweet, it's mostly insane and depressing.

In the end, the premise of "50 First Dates" is more heartbreaking than amusing. And, watching Drew Barrymore's Lucy repeatedly break down upon learning her fate (Henry shows her a video every day to explain the past), you can't help but feel that everyone - Lucy, Henry and us - would've been better off if none of our paths had crossed.

GRADE: D




BROKEN LIZARD'S CLUB DREAD

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Known for their talent at inserting sketch comedy into a narrative structure, the five-person comedy troupe known as Broken Lizard has made a name for themselves with such cult films as "Puddle Cruiser" and "Super Troopers." Never heard of them? Well, fear not, because you can see the irreverent group on screen now in "Club Dread," an enjoyable spoof of slasher films and MTV Spring Break marathons.

Club Dread, an island paradise designed for hedonistic Spring Breakers, is the locale for Broken Lizard's latest black comedy. Run by an aging rocker named Coconut Pete, the resort is dominated by Pete's 'life is a party' mantra.
Too drunk to see anything beyond the bikini-clad twenty-somethings who arrive on shore, Pete now trades on his waning celebrity after a career of writing songs about Pina Coladas and panties. But, when a serial killer shows up on the island and starts decapitating the staff, the party comes to a halt-sort of.
As the staff members scrambles to stay alive and keep up the façade that everything is ok (so as not to frighten the guests), the suspicion mounts about who the masked man with the machete might be. Is it Lars (Kevin Heffernan) the new massage therapist with Vulcan-like powers of the hands? Or Juan (Steve Lemme) the dashing Latin diving instructor who's slept with most of the staff and guests? What about Putnam (Jay Chandrasekhar), the self-absorbed English tennis instructor who's obsessed with the staff fitness instructor, Jenny (TK).

Eric Stolhanske, Brittany Daniel and Paul Soter in Broken Lizard's Club Dread - 2004
Photo: Lacey Terrell
Rated: R
Photo © Copyright Fox Searchlight Pictures

 


Written by, and starring, the five members of Broken Lizard - Heffernan, Lemme, Chandrasekhar, Paul Soter and Erik Stolhanske - the film was shot to look like a C-grade horror flick you might catch on Cinemax after hours.
That said, "Club Dread" features some unexpectedly wonderful and sly commentary on, well, bad movies and horny teenagers.
Although he isn't featured prominently enough, Paxton's Coconut Pete is the best running joke in the film. As the boozed up host who sings his guests old hits about cheeseburgers in paradise, Paxton is a perfect Jimmy Buffet foil. If frisky teenagers usually get the ax in horror flicks - and plenty of frisky islanders see the same fate here - it seems just as appropriate that a serial killer be let loose on an island full of Parrotheads. After all, what's a more unforgivable trespass than listening to "Margaritaville" over and over again?
In one of the funnier scenes in the film, Paxton tries to teach his remaining cooking staff - two Mexicans -- how to make his signature jambalaya. The men, who speak no English, look on as a crazed Coconut Pete asks them to say what the secret ingredient might be. After the men look on in silence Pete yells, "Do you think Eddie Money has to put up with this s*6t?"
Although it's not quite as entertaining or irreverent, "Club Dread" is slightly reminiscent of "Wet Hot American Summer," the underrated and under-seen 2001 send-up of eighties camp films.
Like "Wet Hot American Summer," which created hilarious stereotypes of all those offbeat characters you remember from summers away from home, "Club Dread" does almost as well with its take on hardbodied MTV-types.

Mocking the decadence and stupidity of spring break (and all that comes with it) while celebrating it, the Broken Lizard troupe's comedy is ideal for anyone who, like me, has winced at MTV without ever turning it off.

GRADE: B-

 


FEAR OF A CHRISTIAN MOVIE
By Richard Curry

 



A few Jewish critics were crying foul over the Mel Gibson movie The Passion of the Christ before it even hit the big screen. You'd thin after seeing the presentation from what they're saying we will soon be witnessing anti-Semitic Nazis goose stepping down Main Street looking for a Jewish business to paint a yellow star on.
  

The Holocaust was horrific & undeniably one of the most hideous cries of all time. I cried during Schindler's List and I'm German. The Holocaust did happen and I'm reminded of it each day. There have been never ending litanies of TV documentaries & movies for days, ranging from Anne Frank to the Judgement at Nuremberg. Again, I'm not complaining because the Holocaust should not be repeated.
      
Roots has been showing on TV every year since 1977. I don't believe white people are going to start hanging black men from trees again in the South if they see this TV series.
In the Godfather movies the Mob killed men, women, children and a horse, but I don't walk in fear of the Italians.
     
TV in your home today brings a variety of entertainment ranging from Showtime on Friday nights with the 'L' word series showing the life & times of Lesbians to Buffy the Vampire Killer who weekly is driving wood stakes into the hearts of demented blood thirsty monsters. Guess what? I'm not going to become a Lesbian or a Vampire.
     
So what is the problem with a movie showing the historical fact of Jesus Christ's 12 hours of life before being put to death on a cross?
       
Jesus did this to save sinners in this troubled world. God knows we have enough of them. Go see the movie - what are you afraid of?
    
If one were to look for something offensive to bitch about, check these two out on TV and the Movies: at the theatre there's the Monster with Charlize Theron who plays a grotesque serial killing street whore who after giving blow-jobs to her customers, blows their brains out. How's that for fun quality entertainment?
 
On T.V., while channel surfing, I ran across the series The Surreal Life. I watched in amazement as porn-king Ron Jeremy was completely nude eating dinner with Tammy Fay Baker. What the hell is that all about? After seeing that I went directly to another channel and watched as the one eyed Sister Angelica prayed the rosary to 30 chanting nuns.
       
I needed a little balance.



  

 

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