Home  |  Out & About  |  Dining  |  Events  |  Singles  |  Classifieds  |  Archive  |  Advertising


 

The Magical Brotherhood of
SPROUT & THE ORANGE
By Robert E. Martin
 
Sprout and the Orange
Sprout & the Orange are one of those rare musical amalgamations
that are atypical in every respect.  Since their emergence on the tri-city
music scene five years ago they have grown into one of the more solid
groups that promoters can rely upon to fill the house. Yet, unlike many
groups, rarely do they perform a 'routine' set of cover songs sprinkled
with a few originals.
And even though they possess the versatility to take a three-minute song
and transform it into an intricately layered 15-minute musical exploration,
it is also unfair to label Sprout a mere 'jam band' in the vein of Phish or
The Grateful Dead, simply by virtue of the fact that rarely will they take
a song and stretch it out with laboriously extended solos. No, this outfit
is much more gifted and magical than forms that fit the mold of
predictability.
With three new members added to the line-up since their inception, Sprout &
the Orange are poised for greatness and their energy is infectious.
Consisting of founding members Brian (rhythm guitar/lead vocals) and Aaron
Johnson (lead guitar), the group recently added another team of brothers,
Matt and Steve Nyquist (on bass & drums respectively) into the fold and
rounded out their newly reformatted outfit with the intricate keyboard work
of Jason Weisenbach.
Not since the Allman Brothers Band have a pair of siblings assembled to
form such a prolific alliance of musical creativity, and they only had one
set of brothers in the group. But as intimated at the beginning, Sprout &
the Orange is an atypical band in every respect.
"Believe it or not," states Brian, "but the fact we now have two sets of
brothers in the band has resulted in the fact that we have a better
chemistry in place. You can tell that we all get along real well like
'family' in the literal sense. People always talk about how bands are prone
to break up, but with us the problem is that everybody being brothers, it's
impossible to do!  What are you going to do if you get mad - walk away and
never talk to your brother again?"
For those not yet familiar with the work of Sprout & the Orange, the group
has close to 50 original songs written over the years that they interlace
with 'cover' songs that can be played to a 'tee' by the book, but more
often than not, are rendered in a way to make the song uniquely the band's.
As an example, it is not uncommon for the group to take an original and
then break into an old Alice Cooper song and close it out with a bridge
from Led Zeppelin.
"We're a jam band," states Brian, "but we have a lot ore to offer in terms
of songs. Aaron can write a song that is 10 minutes long that is completely
composed and choreographed that isn't that easy to perform. On other songs
we may loosen up and go into a 'feel' thing, whereas other songs are
tightly written 3-minute numbers."
"Between the radio and the jam band, we form the bridge between the two,"
he continues. "We have the ability to go longer with a song and take it
anywhere we want, no matter the genre."
"We could have hits on the country charts because we're open to every area
of music that there is. Many people come to see us and love everything we
do, whereas other nights people might not like every song we do, but we try
to appeal to everyone to give them a taste of what we have to offer."
"Other than that, I need to say that drummers get the most women. This is
not a myth. Even though they might spontaneously combust."
Since the last time The Review profiled Sprout & the Orange a lot has
happened. Last summer the group had all their equipment stolen and were
virtually left high & dry; given the fact the group didn't have insurance.
This alone may have stopped less determined bands, but as the Phoenix
rising from the ashes, the group enlisted the aid of fans & supporters and
rebuilt their organization.
"We weren't even officially back from Nashville yet when the equipment got
stolen," reflects Brian. "And then on top of that I actually went back to
Nashville for a couple of weeks and discovered I had a crazy killer living
in the house. This guy was just living there, actually wearing my clothes,
doing my laundry, what do you think of that? "
"But fortunately, Dr. William Richter helped us out a lot in terms of
getting us new equipment. He wanted to become involved in the music
business somehow and we paid him back and a lot of good things came out of
it."
For a group with such an esteemed reputation for the unorthodox, how has
the group evolved with the new members?
"For me it's been a long crazy ride," states Aaron. "Everything about the
change has been beneficial to my playing. We know how to construct
something from the foundation of every song and we've got material that can
appeal to more people."
"This was a big band to jump into," notes Steve. "I didn't start listening
to them much before joining, but it's been a pretty cool experience. It's
good to be able to add my own touch to the mix and spice it up more."
"I think Steve is more aggressive in terms of his drumming and he rocks
more. He helps the songs more," interjects Brian.
"This was a big leap for me," states Matt. "I went from playing with my
buddies in the basement to playing with an original band with 30-plus songs
playing shows all over the place. I jumped into it with both feet."
"I think there is a better chemistry in place," notes Justin. "And I enjoy
improvisation. Hopefully this shows in the music."
"I love the keyboard," adds Brian. "And I wanted one in the band for a long
time. We've had keyboards here and there in the past, but since Justin
joined we've expanded tremendously. In the course of one year I've never
witnessed that vast an improvement in a musician, personally."
Where do the collective members of Sprout see the band going in upcoming year?
"This year is going to be our year of glory," states Brian. "First, we
received a call from Donny Brown (of the Verve Pipe) and we're going to
record a song called 'Falling Down' for the Nick Andros compilation CD that
will be available on the Internet and all over the world. That's a big step
for us."
"On top of that we've been hitting our bookings very hard and are going on
a national tour again sometime this spring. We've already sent about 100
press kits out and have been working steadily."
"Finally, we are in the process of finalizing details for two big shows
with Rusted Root in March at The Wayside in Kalamazoo, which seats twice
the people the State Theatre does in Detroit, and another show in Lansing
at the Temple Club."
What was the first 'tour' experience like down in Nashville last year?
"Nashville was great and very tough," comments Brian. "We were gung ho to
play shows and discovered a million other bands were also there ready to
play shows. We actually had a couple good spots opening for national acts
and were told we are spoiled because for a local band to get booked on the
level we were usually takes five years to accomplish, but we actually got a
job in the biggest bar in Nashville.  I told this female musician out there
that we played at The Exit Inn and she was ready to slap me."
"We learned a lot out in Nashville," adds Justin. "For me just going out to
see all these other piano players throwing down was amazing. Just checking
it out makes you realize how high the bar is set for serious musicians. You
see good pianists around Saginaw and Bay City, but not like in Nashville.
My goal is to try and match that level. You're eventually going to get
heard, but it takes a long time to get to that spot."
"We've been around here a little over five years," continues Brian, "and
not being big-headed, but a lot of people have heard us over the years.  By
doing different towns and cities around the country you realize how big it
really is out there. Every band touring has something to offer, so we just
want to keep writing good songs and touring and staying together and
eventually we'll have our place."
Other noteworthy plans for the New Year include getting a CD of their new
material on the market.  With close to 60 songs written, the group is
shooting for a disc of nine originals.
"We have a new song called Get Over You that is more of a blues song but
has a country influence and that's been getting requested non-stop," notes
Brian. "Things will only get better. We'll probably have the CD out in
about six months when we're ready to go on the road."
"It's been a hard year since last July when the equipment was stolen," he
continues. "It's hard to play a good show and put out a lot of energy when
you're not happy about the things going on. A year ago everybody was down
and you've got to have that energy. You can't walk in with a crappy look on
your face. Nobody wants to hear you and people catch on quickly if you
aren't feeling right."
Is the band's approach to structuring different sets for each performance
still a priority?
"Oh yes, definitely," states Brian. "But we have a new approach to covers
as well. We try to keep the show fresh for people that come to each gig and
have a lot of different set lists. We don't have a lot of time to write new
originals lately because we're gigging so much, so we get off on
re-constructing the songs. People like that."
Is the group hungry to sign a 'big label' deal?  With the advent of
downloading on the Internet, getting signed isn't nearly the big deal it
used to be.  A band can sell 750,000 units on a major label and make 13
cents on the sale or sell 25,000 copies on their own and make all $14.00
per unit.
"Being known as a 'jam band' our situation is a bit different," reflects
Steve. "I think we'll make it and grow by playing more shows year after
year. The more people that see you will jump on the road and start
following your band around.
That's the way this Indie band called String Cheese did it and they've done
well with their album, so it's inspired us to do it on our own."
It's all about entertainment," concludes Brian.
"We even did a skit like Monty Python this past Halloween. We did this huge
skit from The Big Lebowski word for word. We were all dressed up and people
were watching it. It was a real hoot. Always keep 'em guessing."

 

 

Enable frames