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AMERICAN SPLENDOR:
From The Streets of Cleveland Comes Harvey Pekar
Inventive Biopic Wins Friends and Influences People


By Cole Smithey
 
The deeply cynical blue-collar everyman of Harvey Pekar's
self-possessed character is a guy right out of a Graham Parker song. He
knows damn well that there's more 'suck' in hard-won "success" than
there is 'excess,' and that the real test of a man's mettle comes down to how
he handles himself in mundane situations.
It was from Harvey's distinctly pessimistic perceptions and
confrontational attitude that he self-published the first issue of his autobiographical
"American Splendor" comic books in 1976, with the illustrative
assistance of Robert Crumb, while working his day job as a file clerk at the
Veterans Administration.
Harvey's friendship with Crumb had begun in the '60s, and bore tangible
fruit in 1972, when Harvey showed the underground cartoonist some of his
poorly drawn, but exceptionally written comics about his depressed life
in his hometown of Cleveland.
Crumb agreed to illustrate the comic, and "American Splendor" went on to
initiate the autobiographical comic genre (see "Ghost World") and
eventually win an American Book Award in 1987. But Harvey would
nonetheless keep his day job for 25 years, until his recent retirement in 2001.
Inspired by naturalist writers like Theodore Dreiser, Harvey took to
task the social realities around him without pulling any punches, and his
roughly annual comic book series had the profound effect of attracting
his soulmate and wife Joyce Brabner (well played in "American Splendor" by
Hope Davis).
Written in a whirlwind three-week session by documentary filmmakers Shari Springer Berman and her husband Robert Pulcini, "American Splendor" is a groundbreaking biopic that seamlessly blends elements of documentary, straight narrative and comic genres into a tightly woven movie that lionizes its iconic subject.

Paul Giamatti gives a flawless performance as the defiantly slouching and poignantly grumpy Pekar. Giamatti's acting work is all the more delightful for the comparisons that the filmmakers draw between their different archetypes of Harvey Pekar. There's the real Harvey Pekar, commenting from the sidelines of the movie, the real Harvey of the past - as seen in footage from some of his Letterman appearances, various cartoon Harvey's that lend inner monologues from his comics, and finally Giamatti's beautiful rendition.

"American Splendor" gives insight into a an era of boldly American
freethinking that hardscrabble men like Harvey had in spades before the
government and corporations figured out how to leverage the lowest
common denominators of democracy and capitalism into the same thing.
It's an important movie for all of the right reasons. It gives glimpses
into our deteriorating culture from an honest man's perspective that
hints at how America has gone from bad to worse and it does it in an original
and entertaining way.
I had the pleasure of meeting the now 63-year-old Harvey and his
delightful wife Joyce Brabner for a brief interview about the movie that won top
honors at this year's Sundance Film Festival, and about Harvey's
opinions, projects and ideas.
Review:  What did you think when you found out that Paul Giamatti was
cast as Harvey?
JB:  We were staying at a motel and we had cable TV and we watched this
blue monkey (in "Planet of the Apes") and tried to figure out what
Harvey would look like and what the actor looked like under the monkey make-up
- this Yiddish slinging orangutan. But we've seen American Splendor done
four times theatrically with different people and there've been different
interpretations. I think the most bizarre one was this Russian guy who'd
won a couple of Tonys for Checkov, and he was playing Harvey with a big
Christ Dola Rosa medal around his neck and he had Catholic angst, which
isn't really the same as Jewish angst.
Review:  Do you stay in touch with Robert Crumb?
HP:   I've been trying to, but I haven't been able to get a hold of him
lately. We crossed paths when we went to Cannes for the festival, but
Crumb had just packed his bags and come to the states. We stay in touch. I
wanted him to see the movie because one of the things that I felt pretty good
about with this movie was that it showed Crumb at his best. Crumb can be
a real nice guy - and not just to me, although he was super nice to me and
I'm forever beholden to him because of it - but I wanted to show what he
was like when he was younger. I think James Urbaniak gave an accurate
representation of him.
Review:  Your comic is based on this average working class guy who sees
the world as it is, and calls it as he sees it. The plight of the working
class has gotten progressively worse since you started the comic, what do you
think these days about that situation?
HP:  I think it's terrible. I can't understand why people would put up
with Bush. I'm certainly against what he's done in Iraq, but just his
handling of the economy alone is enough to have a recall. He doesn't
know what he's doing, he has the wrong people advising him, and I don't think
he has much interest in the economy. I think everybody is feeling the pinch
in some kind of way.
Review:  Was there ever a point when you were tempted to just sell out
and write for Spider-Man or something?
HP:  I can't do that. They came to us and wanted me to do something for
"Howard The Duck" because he comes ostensibly from Cleveland and they
offered me incredible money, but I can't write fantasy stories so I had
to pass that big paycheck up. Joyce and I plan to do a "Our Movie Year"
comic as a follow-up to "Our Cancer Year."
Review:  Have you sold anymore books with the movie coming out?
HP:  Well there's a new Random House anthology-which is the first two
out-of-print American Splendor anthologies - and then the three titles
from Four Walls Eight Windows Press went back to press. I've got the Robert
McNeil stories - The Unsung Hero-- that I did with Darkhorse Publishing
coming out. That's a book-length paperback story about an African
American Viet Nam combat veteran and his experiences in the military.
 

 

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